What is the difference between chivalry and war of the roses




















The Sons of St Albans succeeded in brining down the head of the house of York at the battle of Wakefield five years later. Denied ransom by the Lancastrians, he was dragged from Pontefract Castle by a mob and beheaded like a common criminal. Then in a totally unchivalrous act the heads of all three were erected on the walls of Micklegate bar in York for all to see. Even before the battle the Lancastrians were intent on breaking a chivalrous truce in order to fulfil their unchivalrous ambitions.

Even before Wakefield, at Blore Heath and Ludford Bridge the threatening aspects of attainder treasonable acts against the crown placed on the Yorkist Lords brought about new grievances.

This new phase of the Wars of the Roses came to a head after the battle of Northampton when Richard Duke of York, staked his claim to the crown. Again at the second battle of St Albans later in the month blood feuding would play a role in the execution of more nobles. A few weeks later on Palm Sunday at the battle of Towton the blood feuding would be exacerbated by the crucial dynastic issue, and reached a terrible climax which resulted in the deaths of Lord Clifford, Lord Neville, the Earl of Northumberland, Lord Darce, Lord Welles, and many others; the Earl of Devon was executed the next day, and another forty-two knights were executed or died after the battle.

Those who had escaped the battle were later hunted down and killed, The Earl of Wiltshire was apprehended and beheaded, and Sir Ralph Percy was killed at Hedgely Moor.

The Duke of Somerset, Lord Roos and other refugees from Towton were also executed after being captured at the battle of Hexham in So the Cycle got worse and the bloodlust destroyed any valid notion of chivalry.

Even the Church could no longer offer protection after a group of Lancastrians who sought sanctuary in nearby Tewkesbury Abbey were unchivalrously dragged out and executed on Edwards orders. Proving that fear of divine retribution was ineffective against this kind of bloodlust and political execution.

Henry VI himself was put to death in the Tower of London in Where was the code of chivalry in all this slaughter? Alternatively, all these deaths may be seen as paying the price for treasonable actions against the Kings of England during this period and therefore not subject to the knightly code of honour at all. This is in part true but does not explain the role of chivalry in the Wars of the Roses, and whether it actually existed in some distorted form. Indeed in the War of the Roses the footman played a more dominant role than had previously been seen in the Middle Ages.

It must also be stressed that there was a fine line between the political and chivalrous. Individual motives, and acts of treachery by individuals and whole contingents of soldiers was one of the worse aspects of the Wars of the Roses chivalry could not survive on the battlefield against such a back ground of instability. For example, Sir Ralph Grey for reasons best known to himself, but probably a political pact with the opposing side at the battle of Northampton in committed an act of treachery and fought for the other side until he was finally caught after the battle of Bambrugh Castle in Chivalry was, nevertheless, in its darker aspect nothing more than an excuse to commit cold-blooded murder and, in the Wars of the Roses at least offered a chance to execute political opponents at will; therefore represents a completely different concept to the generally accepted notion of the perfect knight.

Orders of Medieval Chivalry, such as the Order of the Bath, Order of the Garter, and Order of the Golden Fleece acted as a cover for the slaughter, pillage and destruction that could, and did occur in warfare. Formalised with oaths, vows, vigils and exchanges of heraldic tokens between princes and kings, the hereditary right to kill was maintained in glory and honour as an example of how the knight should behave and thereby achieve great personal renown.

Hence it was possible for him to become a mercenary in his own land if he wished and an enemy to his own people. As can be seen amongst the high numbers of casualties amongst the aristocracy during the Wars of the Roses who were not shown and did not expect, any mercy on the battlefield.

Such indiscriminate slaughter was the result of blood feuds, civil war and factionalism and was bound to help the demise of chivalry in England. About us Problem with this page? All rights reserved. Join AuthorsDen! Paul Williams. Follow Me. Paul Williams, click here to update your pages on AuthorsDen. The real notion of chivalry in all it's bloody glory.

Chivalry feels more chaotic, arcadey, and arena-styled, while War of the Roses emits more of a visceral, history-backed, realism-focused experience. From what we've seen so far, you really can't go wrong either way. If you want strategy and a game with a strong, experienced team behind it, try out War of the Roses; if you enjoy indie titles and love focus on fast and furious gameplay mechanics, go with Chivalry. If you have any questions about either title and how it works, or would like us to reach out to the devs to get specific answers, comment below and we'll get those answers for you!

Steve started GamersNexus back when it was just a cool name, and now it's grown into an expansive website with an overwhelming amount of features. He recalls his first difficult decision with GN's direction: "I didn't know whether or not I wanted 'Gamers' to have a possessive apostrophe -- I mean, grammatically it should, but I didn't like it in the name. It was ugly. I also had people who were typing apostrophes into the address bar - sigh.

It made sense to just leave it as 'Gamers. There will be some delay after submitting a comment. YouTube Channel Tweet Us! Toggle navigation Home. Chivalry - Medieval Warfare vs. By Steve Burke Published April 10, at pm. War of the Roses Overview The feature-set of WotR is a bit more expansive and better accommodates classic RPG gamers, but it will require more planning and thought when spec'ing out a character build.

It is argued that it was chivalry which justified the "art of war" in the 15th century. In an actual medieval war grave was discovered by workmen in the village of Towton in North Yorkshire. The find was unique in that the grave held the bodies of some 37 soldiers who had fought at the terrible battle of Towton on 29 March These bones preserved many important clues, not only to the soldiers tragic deaths but also to their lives previous to this which paint a much more detailed picture than ever thought possible.

The evidence of their horrific experiences adds further bold stitches to the rich tapestry of existing information regarding medieval man during this period. Through much painstaking and dedicated research the conclusions drawn from the Towton grave bring to life the hell of medieval combat.

The medieval soldier's mental attitude to combat was complex and depended much upon his social status, but these feelings regarding warfare were certainly felt, and made apparent to others at the time. In contemporary writing such thoughts surface in various forms, regardless of whether we think today that medieval man allegedly lived in a more violent age and hence may have been immune to combat and violence in some protracted way.

Various attainder documents state the seriousness of local and national rebellion, and contemporary letters discuss the various injuries that were sustained in battle, and also the danger of infected wounds after the event.

Loss of goods, horses, equipment, personal loss of a loved one, and individual deprivation because of warfare are all clearly apparent even in this far-off age, through the window of personal letters.



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